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A young Florentine woman’s life is buffeted by betrayal in love and upheaval in religion.

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LXVI

When Savonarola felt himself dragged and pushed along in the midst of that hooting multitude; when lanterns were lifted to show him deriding faces; when he felt himself spit upon, smitten and kicked with grossest words of insult, it seemed to him that the worst bitterness of life was past. If men judged him guilty, and were bent on having his blood, it was only death that awaited him. But the worst drop of bitterness can never be wrung on to our lips from without: the lowest depth of resignation is not to be found in martyrdom; it is only to be found when we have covered our heads in silence and felt, “I am not worthy to be a martyr; the Truth shall prosper, but not by me.”

But that brief imperfect triumph of insulting the Frate, who had soon disappeared under the doorway of the Old Palace, was only like the taste of blood to the tiger. Were there not the houses of the hypocrite’s friends to be sacked? Already one-half of the armed multitude, too much in the rear to share greatly in the siege of the convent, had been employed in the more profitable work of attacking rich houses, not with planless desire for plunder, but with that discriminating selection of such as belonged to chief Piagnoni, which showed that the riot was under guidance, and that the rabble with clubs and staves was well officered by sword-girt Compagnacci. Was there not⁠—next criminal after the Frate⁠—the ambitious Francesco Valori, suspected of wanting with the Frate’s help to make himself a Doge or Gonfaloniere for life? And the grey-haired man who, eight months ago, had lifted his arm and his voice in such ferocious demand for justice on five of his fellow-citizens, only escaped from San Marco to experience what others called justice⁠—to see his house surrounded by an angry, greedy multitude, to see his wife shot dead with an arrow, and to be himself murdered, as he was on his way to answer a summons to the Palazzo, by the swords of men named Ridolfi and Tornabuoni.

In this way that Masque of the Furies, called Riot, was played on in Florence through the hours of night and early morning.

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