crackling, and it seemed to him as though the atmosphere again changed, and became balmy and perfumed. At length his feet touched on a thick and soft carpet, and his guides let go their hold of him. There was a moment’s silence, and then a voice, in excellent French, although, with a foreign accent, said:
“Welcome, sir. I beg you will remove your bandage.”
It may be supposed, then, Franz did not wait for a repetition of this permission, but took off the handkerchief, and found himself in the presence of a man from thirty-eight to forty years of age, dressed in a Tunisian costume, that is to say, a red cap with a long blue silk tassel, a vest of black cloth embroidered with gold, pantaloons of deep red, large and full gaiters of the same color, embroidered with gold like the vest, and yellow slippers; he had a splendid cashmere round his waist, and a small sharp and crooked cangiar was passed through his girdle.
Although of a paleness that was almost livid, this man had a remarkably handsome face; his eyes were penetrating and sparkling; his nose, quite straight, and projecting direct from the brow, was of the pure Greek type, while his teeth, as white as pearls, were set off to admiration by the black moustache that encircled them.
His pallor was so peculiar, that it seemed to pertain to one who had been long entombed, and who was incapable of resuming the healthy glow and hue of life. He was not particularly tall, but extremely well made, and, like the men of the South, had small hands and feet. But what astonished Franz, who had treated Gaetano’s description as a fable, was the splendor of the apartment in which he found himself.
The entire chamber was lined with crimson brocade, worked with flowers of gold. In a recess was a kind of divan, surmounted with a stand of Arabian swords in silver scabbards, and the handles resplendent with gems; from the ceiling hung a lamp of Venetian glass, of beautiful shape