In the vehicle was a young woman and a child of about seven or eight clasped in each other’s arms. Terror seemed to have deprived them even of the power of uttering a cry. The carriage creaked and rattled as it flew over the rough stones, and the slightest obstacle under the wheels would have caused disaster; but it kept on in the middle of the road, and those who saw it pass uttered cries of terror.
Ali suddenly cast aside his chibouque, drew the lasso from his pocket, threw it so skilfully as to catch the forelegs of the near horse in its triple fold, and suffered himself to be dragged on for a few steps by the violence of the shock, then the animal fell over on the pole, which snapped, and therefore prevented the other horse from pursuing its way. Gladly availing himself of this opportunity, the coachman leaped from his box; but Ali had promptly seized the nostrils of the second horse, and held them in his iron grasp, till the beast, snorting with pain, sunk beside his companion.
All this was achieved in much less time than is occupied in the recital. The brief space had, however, been sufficient for a man, followed by a number of servants, to rush from the house before which the accident had occurred, and, as the coachman opened the door of the carriage, to take from it a lady who was convulsively grasping the cushions with one hand, while with the other she pressed to her bosom the young boy, who had lost consciousness. Monte Cristo carried them both to the salon, and deposited them on a sofa.
“Compose yourself, madame,” said he; “all danger is over.” The woman looked up at these words, and, with a glance far more expressive than any entreaties could have been, pointed to her child, who still continued insensible. “I understand the nature of your alarms, madame,” said the count, carefully examining the child, “but I assure you there is not the slightest occasion for uneasiness; your little charge has not received the least injury; his insensibility is merely the effects of terror, and will soon pass.”