to two hours to the Movies; and this simply means that millions of Americans every day place themselves vol¬ untarily within range of Jewish ideas of life, love and labor; within range of Jewish propaganda, sometimes cleverly, sometimes clumsily concealed. This gives the Jewish masseur of the public mind all the oppor¬ tunity he desires; and his only protest now is that exposure may make his game a trifle difficult.
The Theater is Jewish not only on its managerial side, but also on its literary and professional side. More and more plays are appearing whose author, pro¬ ducer, star and cast are entirely Jewish. They are not great plays, they do not remain long. This is natural enough, since the Jewish theatrical interests are not seeking artistic triumphs, they are not seeking the glory of the American stage, nor are they striving to develop great actors to take the place of the old line of worthies. Not at all. Their interest is financial and racial—getting the Gentiles’ money and Judaizing the Theater. There is a tremendous Judaizing movement on; the work is almost complete. Boastful articles are already beginning to appear in the Jewish press, which is always a sign.