for censuring the character of Agamemnon, operated towards the farther discouragement of poetical exertions. There now existed no circumstance to counterbalance these disadvantages. Genius no longer found a patron either in the emperor or his minister; and the gates of the palace were shut against all who cultivated the elegant pursuits of the Muses. Panders, catamites, assassins, wretches stained with every crime, were the constant attendants, as the only fit companions, of the tyrant who now occupied the throne. We are informed, however, that even this emperor had a taste for the liberal arts, and that he composed a lyric poem upon the death of Lucius Caesar, with some Greek poems in imitation of Euphorion, Rhianus, and Parthenius. But none of these has been transmitted to posterity: and if we should form an opinion of them upon the principle of Catullus, that to be a good poet one ought to be a good man, there is little reason to regret that they have perished.
Table of Contents
I. The patrician family of the Claudii
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