one of two hundred and sixteen lines; one, of two hundred and thirty-four; one, of two hundred and sixty-two; and one of two hundred and seventy-seven; a rapidity of composition approaching to what Horace mentions of the poet Lucilius. It is no small encomium to observe, that, considered as extemporaneous productions, (504) the meanest in the collection is far from meriting censure, either in point of sentiment or expression; and many of them contain passages which command our applause.
The poet MARTIAL, surnamed likewise Coquus, was born at Bilbilis, in Spain, of obscure parents. At the age of twenty-one, he came to Rome, where he lived during five-and-thirty years under the emperors Galba, Otho, Vitellius, the two Vespasians, Domitian, Nerva, and the beginning of the reign of Trajan. He was the panegyrist of several of those emperors, by whom he was liberally rewarded, raised to the Equestrian order, and promoted by Domitian to the tribuneship; but being treated with coldness and neglect by Trajan, he returned to his native country, and, a few years after, ended his days, at the age of seventy-five.
He had lived at Rome in great splendour and affluence, as well as in high esteem for his poetical talents; but upon his return to Bilbilis, it is said that he experienced a great reverse of fortune, and was chiefly indebted for his support to the gratuitous benefactions of Pliny the Younger, whom he had extolled in some epigrams.
The poems of Martial consist of fourteen books, all written in the epigrammatic form, to which species of composition, introduced by the Greeks, he had a peculiar propensity. Amidst such a multitude of verses, on a variety of subjects, often composed extempore, and many of them, probably, in the moments of fashionable dissipation, it is not surprising that we find a large number unworthy the genius of the author.