The term seems to be employed advisedly. The Choragus, of course, dressed his actors for their parts; not according to their fancies or his own. Hooker has (E. P. v. ixxvi. 5) a passage which seems to be an admirable paraphrase on this. “Again, that the measure of our outward prosperity be taken by proportion with that which every man’s estate in this present life requireth. External abilities are instruments of action. It contenteth wise artificers to have their instruments proportionable to their work, rather fit for use than huge and goodly to please the eye. Seeing then the actions of a servant do not need that which may be necessary for men of calling and place in the world, neither men of inferior condition many things which greater personages can hardly want; surely they are blessed in worldly respects who have wherewith to perform what their station and place asketh, though they have no more.”

Always bearing in mind that man “never continueth in one stay.”

The meaning is this: personal fortunes, we have said, must be in certain weight and number to affect our own happiness, this will be true, of course, of those which are reflected on us from our friends: and these are the only ones to which the dead are supposed to be liable? add then the difference of sensibility which it is fair to presume, and there is a very small residuum of joy or sorrow.

This is meant for an exhaustive division of goods, which are either so in esse or in posse. If in esse, they are either above praise, or subjects of praise. Those in posse, here called faculties, are good only when rightly used. Thus Rhetoric is a faculty which may be used to promote justice or abused to support villainy. Money in like way.