set, and it had that glittering silveriness the early stars have in high altitudes. The heavenly bodies look so much more remote from the bottom of a deep canyon than they do from the level. The climb of the walls helps out the eye, somehow. I lay down on a solitary rock that was like an island in the bottom of the valley, and looked up. The grey sagebrush and the blue-grey rock around me were already in shadow, but high above me the canyon walls were dyed flame-colour with the sunset, and the Cliff City lay in a gold haze against its dark cavern. In a few minutes it, too, was grey, and only the rim rock at the top held the red light. When that was gone, I could still see the copper glow in the piñons along the edge of the top ledges. The arc of sky over the canyon was silvery blue, with its pale yellow moon, and presently stars shivered into it, like crystals dropped into perfectly clear water.
I remember these things, because, in a sense, that was the first night I was ever really on the mesa at all—the first night that all of me was there. This was the first time I ever saw it as a whole. It all came together in my understanding, as a series of experiments do when you begin to see where they are leading. Something had happened in me that made it possible for me to coordinate and simplify, and that process, going on in my mind, brought with it great happiness. It was possession. The excitement of my first discovery was a very pale feeling compared to this one. For me the mesa was no longer an adventure, but a religious emotion. I had read of filial piety in the Latin poets, and I knew that was what I felt for this place. It had formerly been mixed up with other motives; but now that they were gone, I had my happiness unalloyed.