St. Peter hadn’t, he could honestly say, cared a whoop—not in those golden days. When the whole plan of his narrative was coming clearer and clearer all the time, when he could feel his hand growing easier with his material, when all the foolish conventions about that kind of writing were falling away and his relation with his work was becoming every day more simple, natural, and happy—he cared as little as the Spanish Adventurers themselves what Professor So-and-So thought about them. With the fourth volume he began to be aware that a few young men, scattered about the United States and England, were intensely interested in his experiment. With the fifth and sixth, they began to express their interest in lectures and in print. The two last volumes brought him a certain international reputation and what were called rewards—among them, the Oxford prize for history, with its five thousand pounds, which had built him the new house into which he did not want to move.
“Godfrey,” his wife had gravely said one day, when she detected an ironical turn in some remark he made about the new house, “is there something you would rather have done with that money than to have built a house with it?”
“Nothing, my dear, nothing. If with that cheque I could have bought back the fun I had writing my history, you’d never have got your house. But one couldn’t get that for twenty thousand dollars. The great pleasures don’t come so cheap. There is nothing else, thank you.”