Romero did not look up at us. He was speaking to Belmonte. Belmonte had sent his formal cape over to some friends. He looked across at them and smiled, his wolf smile that was only with the mouth. Romero leaned over the barrera and asked for the water-jug. The sword-handler brought it and Romero poured water over the percale of his fighting-cape, and then scuffed the lower folds in the sand with his slippered foot.
“What’s that for?” Brett asked.
“To give it weight in the wind.”
“His face looks bad,” Bill said.
“He feels very badly,” Brett said. “He should be in bed.”
The first bull was Belmonte’s. Belmonte was very good. But because he got thirty thousand pesetas and people had stayed in line all night to buy tickets to see him, the crowd demanded that he should be more than very good. Belmonte’s great attraction is working close to the bull. In bullfighting they speak of the terrain of the bull and the terrain of the bullfighter. As long as a bullfighter stays in his own terrain he is comparatively safe. Each time he enters into the terrain of the bull he is in great danger. Belmonte, in his best days, worked always in the terrain of the bull. This way he gave the sensation of coming tragedy. People went to the corrida to see Belmonte, to be given tragic sensations, and perhaps to see the death of Belmonte. Fifteen years ago they said if you wanted to see Belmonte you should go quickly, while he was still alive. Since then he has killed more than a thousand bulls. When he retired the legend grew up about how his bullfighting had been, and when he came out of retirement the public were disappointed because no real man could work as close to the bulls as Belmonte was supposed to have done, not, of course, even Belmonte.