“You mustn’t misunderstand, Jake, it was absolutely platonic with the secretary. Not even platonic. Nothing at all, really. It was just that she was so nice. And he did that just to please me. Well, I suppose that we that live by the sword shall perish by the sword. Isn’t that literary, though? You want to remember that for your next book, Robert.
“You know Robert is going to get material for a new book. Aren’t you, Robert? That’s why he’s leaving me. He’s decided I don’t film well. You see, he was so busy all the time that we were living together, writing on this book, that he doesn’t remember anything about us. So now he’s going out and get some new material. Well, I hope he gets something frightfully interesting.
“Listen, Robert, dear. Let me tell you something. You won’t mind, will you? Don’t have scenes with your young ladies. Try not to. Because you can’t have scenes without crying, and then you pity yourself so much you can’t remember what the other person’s said. You’ll never be able to remember any conversations that way. Just try and be calm. I know it’s awfully hard. But remember, it’s for literature. We all ought to make sacrifices for literature. Look at me. I’m going to England without a protest. All for literature. We must all help young writers. Don’t you think so, Jake? But you’re not a young writer. Are you, Robert? You’re thirty-four. Still, I suppose that is young for a great writer. Look at Hardy. Look at Anatole France. He just died a little while ago. Robert doesn’t think he’s any good, though. Some of his French friends told him. He doesn’t read French very well himself. He wasn’t a good writer like you are, was he, Robert? Do you think he ever had to go and look for material? What do you suppose he said to his mistresses when he wouldn’t marry them? I wonder if he cried, too? Oh, I’ve just thought of something.” She put her gloved hand up to her lips. “I know the real