they served to restrain the worst immoralities and licences of the time. They banished violence, they allowed no venality, and they inculcated moderation in passion. The task of the Courts of Love was facilitated by the relative degree of peace which then reigned, especially by the fact that the Normans, holding both coasts of the Channel, formed a link between France and England. When the murderous activities of French kings and English kings destroyed that link, the Courts of Love were swept away in the general disorder and the progress of civilization indefinitely retarded.10 Yet in some degree the ideals which had been thus embodied still persisted. As the Goncourts pointed out in their invaluable book, La Femme au Dix-huitième Siècle (Chap. v), from the days of chivalry even on into the eighteenth century, when on the surface at all events it apparently disappeared, an exalted ideal of love continued to be cherished in France. This conception remained associated, throughout, with the great social influence and authority which had been enjoyed by women in France even from medieval times. That influence had become pronounced during the seventeenth century, and at that time Sir Thomas Smith in his Commonwealth of England, writing of the high position of women in England, remarked that they possessed "almost as much liberty as in France."
There were at least two forms of medieval romantic love. The first arose in Provence and northern Italy during the twelfth century, and spread to Germany as Minnedienst. In this form the young knights directed their respectful and adoring devotion to a high-born married woman who chose one of them as her own cavalier, to do her service and reverence, the two vowing devotion to each other until death. It was a part of this amorous code that there could not be love between husband and wife, and it was counted a mark of low breeding for a husband to challenge his wife's right to her young knight's services, though sometimes