we are told the husband risked this reproach, occasionally with tragic results. This mode of love, after being eloquently sung and practised by the troubadours—usually, it appears, younger sons of noble houses—died out in the place of its origin, but it had been introduced into Spain, and the Spaniards reintroduced it into Italy when they acquired the kingdom of Naples; in Italy it was conventionalized into the firmly rooted institution of the cavaliere servente. From the standpoint of a strict morality, the institution was obviously open to question. But we can scarcely fail to see that at its origin it possessed, even if unconsciously, a quasi-religious warrant in the worship of the Holy Mother, and we have to recognize that, notwithstanding its questionable shape, it was really an effort to attain a purer and more ideal relationship than was possible in a rough and warlike age which placed the wife in subordination to her husband. A tender devotion that inspired poetry, an unalloyed respect that approached reverence, vows that were based on equal freedom and independence on both sides—these were possibilities which the men and women of that age felt to be incompatible with marriage as they knew it.
The second form of medieval romantic love was more ethereal than the first, and much more definitely and consciously based on a religious attitude. It was really the worship of the Virgin transferred to a young earthly maiden, yet retaining the purity and ideality of religious worship. To so high a degree is this the case that it is sometimes difficult to be sure whether we are concerned with a real maiden of flesh and blood or only a poetic symbol of womanhood. This doubt has been raised, notably by Bartoli, concerning Dante's Beatrice, the supreme type of this ethereal love, which arose in the thirteenth century, and was chiefly cultivated in Florence. The poets of this movement were themselves aware of the religious character of their devotion to the donna angelicata to whom they even apply, as they would to the Queen of Heaven, the appellation Stella Maris. That there was an element of flesh and blood in these