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nydus/The Three MusketeersPublic

A young Gascon moves to Paris to join the King’s Musketeers where he starts to investigate the kidnapping of his landlord’s wife.

Page 114 of 951
Table of Contents

VII

As for Aramis, of whom we believe we have sufficiently explained the character⁠—a character which, like that of his companions, we shall be able to follow in its development⁠—his lackey was called Bazin. Thanks to the hopes which his master entertained of someday entering into orders, he was always clothed in black, as became the servant of a churchman. He was a Berrichon, thirty-five or forty years old, mild, peaceable, sleek, employing the leisure his master left him in the perusal of pious works, providing rigorously for two a dinner of few dishes, but excellent. For the rest, he was dumb, blind, and deaf, and of unimpeachable fidelity.

And now that we are acquainted, superficially at least, with the masters and the valets, let us pass on to the dwellings occupied by each of them.

Athos dwelt in the Rue Férou, within two steps of the Luxembourg. His apartment consisted of two small chambers, very nicely fitted up, in a furnished house, the hostess of which, still young and still really handsome, cast tender glances uselessly at him. Some fragments of past splendor appeared here and there upon the walls of this modest lodging; a sword, for example, richly embossed, which belonged by its make to the times of Francis I , the hilt of which alone, encrusted with precious stones, might be worth two hundred pistoles, and which, nevertheless, in his moments of greatest distress Athos had never pledged or offered for sale. It had long been an object of ambition for Porthos. Porthos would have given ten years of his life to possess this sword.

One day, when he had an appointment with a duchess, he endeavored even to borrow it of Athos. Athos, without saying anything, emptied his pockets, got together all his jewels, purses, aiguillettes, and gold chains, and offered them all to Porthos; but as to the sword, he said it was sealed to its place and should never quit it until its master should himself quit his lodgings. In addition to the sword, there was a portrait representing a nobleman of the time of Henry III , dressed with the greatest elegance,

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