On entering the court of his hotel, Buckingham sprang from his horse, and without thinking what became of the animal, threw the bridle on his neck, and sprang toward the vestibule. D’Artagnan did the same, with a little more concern, however, for the noble creatures, whose merits he fully appreciated; but he had the satisfaction of seeing three or four grooms run from the kitchens and the stables, and busy themselves with the steeds.
The duke walked so fast that d’Artagnan had some trouble in keeping up with him. He passed through several apartments, of an elegance of which even the greatest nobles of France had not even an idea, and arrived at length in a bedchamber which was at once a miracle of taste and of richness. In the alcove of this chamber was a door concealed in the tapestry which the duke opened with a little gold key which he wore suspended from his neck by a chain of the same metal. With discretion d’Artagnan remained behind; but at the moment when Buckingham crossed the threshold, he turned round, and seeing the hesitation of the young man, “Come in!” cried he, “and if you have the good fortune to be admitted to Her Majesty’s presence, tell her what you have seen.”
Encouraged by this invitation, d’Artagnan followed the duke, who closed the door after them. The two found themselves in a small chapel covered with a tapestry of Persian silk worked with gold, and brilliantly lighted with a vast number of candles. Over a species of altar, and beneath a canopy of blue velvet, surmounted by white and red plumes, was a full-length portrait of Anne of Austria, so perfect in its resemblance that d’Artagnan uttered a cry of surprise on beholding it. One might believe the queen was about to speak. On the altar, and beneath the portrait, was the casket containing the diamond studs.
The duke approached the altar, knelt as a priest might have done before a crucifix, and opened the casket. “There,” said he, drawing from the casket a large bow of blue ribbon all sparkling with diamonds, “there