After the body of the canoe and all the accessories have been placed in readiness, the proceedings are opened by a magical rite, called Katuliliva tabuyo. This rite belongs to the Kula magic, for which the natives have a special expression; they call it mwasila. It is connected with the inserting of the ornamental prow-boards into their grooves at both ends of the canoe. These ornamental parts of the canoe are put in first of all, and this is done ceremonially. A few sprigs of the mint plant are inserted under the boards, as they are put in, and the toliwaga (owner of the canoe) hammers the boards in by means of a special stone imported from Dobu, and ritually repeats a formula of the mwasila magic. The mint plant (sulumwoya) plays an important part in the mwasila (Kula magic) as well as in love spells, and in the magic of beauty. Whenever a substance is to be medicated for the purpose of charming, seducing, or persuading, as a rule sulumwoya is used. This plant figures also in several myths, where it plays a similar part, the mythical hero always conquering the foe or winning a woman by the use of the sulumwoya.
I shall not adduce the magical formulæ in this account, with the exception of the most important one. Even a short summary of each of them would obstruct the narrative, and it would blur completely the outline of the consecutive account of the various activities. The various complexities of the magical ritual and of the formulæ will be set forth in Chapter XVII. It may be mentioned here, however, that not only are there several types of magic performed during canoe building, such as the mwasila (Kula magic), the canoe speed magic, exorcisms against evil magic, and exorcism of the tokway, but within each of these types, there are different systems of magic, each with its own mythological basis, each localised in a different district, and each having of course different formulæ and slightly different rites.3
After the prow-boards are put in, and before the next bit of technical work is done, another magical rite has to be performed. The body of the canoe, now bright with the three-coloured boards, is pushed into the water. A handful of leaves, of a shrub called bobi’u, is charmed by the owner or by the builder, and the body of the canoe is washed in sea water with the leaves. All the men participate in the washing, and this rite is intended to make the canoe fast, by removing the traces of any evil influence, which might still have remained, in spite of the previous magic, performed on the waga. After the waga has been rubbed and washed, it is pulled ashore again and placed on the skid logs.
Now the natives proceed to the main and most important constructive part of their work; this consists of the erection of the gunwale planks at the sides of the dug-out log, so as to form the deep and wide well of the built-up canoe. They are kept in position by an internal framework of some twelve to twenty pairs of ribs, and all of this is lashed together with a special creeper called wayugo, and the holes and interstices are caulked with a resinous substance.
I cannot enter here into details of building, though from the technological point of view, this is the most interesting phase, showing us the native at grips with real problems of construction. He has a whole array of component parts, and he must make them fit together with a considerable degree of precision, and that without having any exact means of measurement. By a rough appreciation based on long experience and great skill, he estimates the relative shapes and sizes of the planks, the angles and dimensions of the ribs, and the lengths of the various poles. Then, in shaping them out, the builder tests and fits them in a preliminary manner as work goes on, and as a rule the result is good. But now, when all these component parts have to be pieced finally together, it nearly always happens that some bit or other fails to fit properly with the rest.