The East End of New Guinea is a tropical region, where the distinction between the dry and wet season is not felt very sharply. In fact, there is no pronounced dry season there, and so the land is always clad in intense, shining green, which forms a crude contrast with the blue sea. The summits of the hills are often shrouded in trailing mist, whilst white clouds brood or race over the sea, breaking up the monotony of saturated, stiff blue and green. To someone not acquainted with the South Sea landscape it is difficult to convey the permanent impression of smiling festiveness, the alluring clearness of the beach, fringed by jungle trees and palms, skirted by white foam and blue sea, above it the slopes ascending in rich, stiff folds of dark and light green, piebald and shaded over towards the summit by steamy, tropical mists.
When I first sailed along this coast, it was after a few months’ residence and field work in the neighbouring district of the Mailu. From Toulon Island, the main centre and most important settlement of the Mailu, I used to look towards the East end of Orangerie Bay, and on clear days I could see the pyramidal hills of Bonabona, of Gadogado’a, as blue silhouettes in the distance.
Under the influence of my work, I came to regard this country within the somewhat narrow native horizon, as the distant land to which perilous, seasonal voyages are made, from whence come certain objects—baskets, decorated carvings, weapons, ornaments—particularly well formed, and superior to the local ones; the land to which the natives point with awe and distrust, when speaking of specially evil and virulent forms of sorcery; the home of a folk mentioned with horror as cannibals.
Any really fine touch of artistic taste, in Mailu carvings, would always be directly imported or imitated from the East, and I also found that the softest and most melodious songs and the finest dances came from the Massim.
Many of their customs and institutions would be quoted to me as quaint and unusual, and thus, I, the ethnographer working on the borderland of two cultures, naturally had my interest and curiosity aroused.
It seemed as if the Eastern people must be much more complex, in one direction towards the cruel, man-eating savage, in the other towards the finely-gifted, poetical lord of primitive forest and seas, when I compared them with the relatively coarse and dull native of Mailu.
No wonder, therefore, that on approaching their coast—travelling on that occasion in a small launch—I scanned the landscape with keen interest, anxious to catch my first glimpse of natives, or of their traces.
The first distinctly visible signs of human existence in this neighbourhood are the patches of garden land. These big clearings, triangular in shape, with the apex pointing uphill, look as if they were plastered on to the steep slopes. From August to November, the season when the natives cut and burn the bush, they can be seen, at night, alight with slowly-blazing logs, and in daytime, their smoke clings over the clearings, and slowly drifts along the hill side. Later on in the year, when the plantation sprouts, they form a bright spot, with the light green of their fresh leaves.
The villages in this district are to be found only on the foreshore, at the foot of the hills, hidden in groves of trees, with here and there a golden or purplish bit of thatch showing through the dark green of the leaves. In calm weather a few canoes are probably not far off, fishing. If the visitor is lucky enough to pass at the time of feasts, trading expeditions, or any other big tribal gathering, many a fine sea-going canoe may be seen approaching the village with the sound of conch shells blowing melodiously.