wife, who, blowing the conch shell, presents the rope to the toliwaga. He, on the spot, gives her a bunch of betel or bananas. Next day, a considerable present of food, known as yomelu, is given by the chief, and then at the next harvest, another fifty or sixty basketfuls of yams as karibudaboda or closing up gift.
I have chosen the data from two concrete cases, one noted in Kiriwina, the other in Vakuta—that is, in the district where the chief’s power is greatest, and in that where there never has been more than a rudimentary distance in rank and wealth between chief and commoner. In both cases there is a payment, but in Kiriwina the payment is greater. In Vakuta, it is obviously rather an exchange of services, whereas in Kiriwina the chief maintains, as well as rewards his builder. In both cases we have the exchange of skilled services against maintenance by supply of food.
III
We shall pass now to the next ceremonial and customary performance in the succession of Kula events, to the display of a new canoe to the friends and relatives of the toliwaga. This custom is called kabigidoya. The tasasoria (launching and trial run) is obviously at the same time the last act of ship-building, and by its associated magical rite, by the foretaste of sailing, it is also one of the beginning stages of the Kula. The kabigidoya being a presentation of the new canoe, belongs to the series of building ceremonials; but in so far as it is a provisioning trip, it belongs to the Kula.
The canoe is manned with the usual crew, it is rigged and fitted out with all its paraphernalia, such as paddles, baler, and conch shell, and it sets out on a short trip to the beaches of the neighbouring villages. When the canoe belongs to a compound settlement like Sinaketa, then it will stop at every beach of the sister villages. The conch shell is blown, and people in the village will know “The kabigidoya men have arrived.”
The crew remains in the canoe, the toliwaga goes ashore, taking one paddle with him. He goes to the house of his fellow-headman, and thrusts the paddle into the frame of the house, with the words: “I offer thee thy bisila (pandanus streamer); take a vaygua (valuable), catch a pig and break the head of my new canoe.”
To which the local headman will answer—giving a present: “This is the katuvisala dabala (the breaking of the head) of thy new canoe!”
This is an example of the quaint, customary wording used in the exchange of gifts, and in other ceremonial transactions. The bisila (pandanus streamer) is often used as a symbol for the canoe, in magical spells, in customary expressions, and in idiomatic terms of speech. Bleached pandanus streamers are tied to the mast, rigging and sail; a specially medicated strip is often attached to the prow of the canoe to give it speed, and there is also other bisila magic to make a district partner inclined for Kula.
The gifts given are not always up to the standard of those mentioned in the above customary phrase. The kabigidoya, especially from the neighbouring villages, often brings only a few mats, a few dozen coco-nuts, some