forgotten. Almost—not quite. Towards the end he falls ill and a coffin is made for him which he does not occupy, as he recovers. It is this coffin, serving as a life-buoy, that saves Ishmael from the final whirlpool, and this again is no coincidence, but an unformulated connection that sprang up in Melville’s mind. Moby Dick is full of meanings: its meaning is a different problem. It is wrong to turn the Delight or the coffin into symbols, because even if the symbolism is correct, it silences the book. Nothing can be stated about Moby Dick except that it is a contest. The rest is song.
It is to his conception of evil that Melville’s work owes much of its strength. As a rule evil has been feebly envisaged in fiction, which seldom soars above misconduct or avoids the clouds of mysteriousness. Evil to most novelists is either sexual and social or is something very vague for which a special style with implications of poetry is thought suitable. They want it to exist, in order that it may kindly help them on with the plot, and evil, not being kind, generally hampers them with a villain—a Lovelace or Uriah Heep, who does more harm to the author than to the fellow characters. For a real villain we must turn to a story of Melville’s called Billy Budd .
It is a short story, but must be mentioned because of the light it throws on his other work. The scene is on a British man-of-war soon after the Mutiny at the Nore—a stagey yet intensely real vessel. The hero, a young sailor, has goodness—which is faint beside the goodness of Alyosha; still he has goodness of the glowing aggressive sort which cannot exist unless it has evil to consume. He is not aggressive himself. It is the light within him that irritates and explodes. On the surface he is a pleasant, merry, rather insensitive lad, whose perfect physique is marred by one slight defect, a stammer, which finally destroys him. He is “dropped into a world not without some mantraps, and against whose subtleties simple courage without any touch of defensive ugliness is of little avail; and where such innocence as man is capable of does yet, in a moral