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nydus/Aspects of the NovelPublic
Page 14 of 156
Table of Contents

I

It is when he comes to criticism⁠—to a job like the present⁠—that he can be so pernicious, because he follows the method of a true scholar without having his equipment. He classes books before he has understood or read them; that is his first crime. Classification by chronology. Books written before 1847, books written after it, books written after or before 1848. The novel in the reign of Queen Anne, the pre-novel, the ur-novel, the novel of the future. Classification by subject matter⁠—sillier still. The literature of Inns, beginning with Tom Jones ; the literature of the Women’s Movement, beginning with Shirley ; the literature of Desert Islands, from Robinson Crusoe to The Blue Lagoon ; the literature of Rogues⁠—dreariest of all, though the Open Road runs it pretty close; the literature of Sussex (perhaps the most devoted of the Home Counties); improper books⁠—a serious though dreadful branch of enquiry, only to be pursued by pseudo-scholars of riper years, novels relating to industrialism, aviation, chiropody, the weather. I include the weather on the authority of the most amazing work on the novel that I have met for many years. It came over the Atlantic to me, nor shall I ever forget it. It was a literary manual entitled Materials and Methods of Fiction . The writer’s name shall be concealed. He was a pseudo-scholar and a good one. He classified novels by their dates, their length, their locality, their sex, their point of view, till no more seemed possible. But he still had the weather up his sleeve, and when he brought it out, it had nine heads. He gave an example under each head, for he was anything but slovenly, and we will run through his list. In the first place the weather can be “decorative,” as in Pierre Loti; then “utilitarian,” as in The Mill on the Floss (no Floss, no Mill; no Mill, no Tullivers); “illustrative,” as in The Egoist ; “planned in pre-established harmony,” as by Fiona MacLeod; “in emotional contrast,” as in The Master of Ballantrae ; “determinative of action,” as in a certain Kipling story, where a man proposes to the wrong girl on account of a mud storm; “a controlling

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