Oldbuck’s sister Miss Grizzle. Miss Grizzle is introduced with the same air of promise. As a matter of fact she is just a comic turn—she leads nowhere, and your storyteller is full of these turns. He need not hammer away all the time at cause and effect. He keeps just as well within the simple boundaries of his art if he says things that have no bearing on the development. The audience thinks they will develop, but the audience is shock-headed and tired and easily forgets. Unlike the weaver of plots, the storyteller profits by ragged ends. Miss Grizzle is a small example of a ragged end; for a big one I would refer to a novel that professes to be lean and tragic: The Bride of Lammermoor . Scott presents the Lord High Keeper in this book with great emphasis and with endless suggestions that the defects of his character will lead to the tragedy, while as a matter of fact the tragedy would occur in almost the same form if he did not exist—the only necessary ingredients in it being Edgar, Lucy, Lady Ashton and Bucklaw. Well, to return to The Antiquary , then there is a dinner, Oldbuck and Sir Arthur quarrel, Sir Arthur is offended and leaves early with his daughter, and they try to walk back to their own house across the sands. Tides rise over sands. The tide rises. Sir Arthur and Isabel are cut off, and are confronted in their peril by Edie Ochiltree. This is the first serious moment in the story and this is how the storyteller who is a storyteller handles it:
While they exchanged these words, they paused upon the highest ledge of rock to which they could attain; for it seemed that any farther attempt to move forward could only serve to anticipate their fate. Here then they were to await the sure, though slow progress of the raging element, something in the situation of the martyrs of the Early Church, who, exposed by heathen tyrants to be slain by wild beasts, were compelled for a time to witness the impatience and rage by which the animals were agitated, while awaiting the signal for undoing their grates and letting them loose upon the