She approached the basin, and bent over it as if to fill her pitcher; she again lifted it to her head. The personage on the well-brink now seemed to accost her; to make some request:—“She hasted, let down her pitcher on her hand, and gave him to drink.” From the bosom of his robe he then produced a casket, opened it and showed magnificent bracelets and earrings; she acted astonishment and admiration; kneeling, he laid the treasure at her feet; incredulity and delight were expressed by her looks and gestures; the stranger fastened the bracelets on her arms and the rings in her ears. It was Eliezer and Rebecca: the camels only were wanting.
The divining party again laid their heads together: apparently they could not agree about the word or syllable the scene illustrated. Colonel Dent, their spokesman, demanded “the tableau of the whole;” whereupon the curtain again descended.
On its third rising only a portion of the drawing-room was disclosed; the rest being concealed by a screen, hung with some sort of dark and coarse drapery. The marble basin was removed; in its place, stood a deal table and a kitchen chair: these objects were visible by a very dim light proceeding from a horn lantern, the wax candles being all extinguished.
Amidst this sordid scene, sat a man with his clenched hands resting on his knees, and his eyes bent on the ground.
I knew Mr. Rochester; though the begrimed face, the disordered dress (his coat hanging loose from one arm, as if it had been almost torn from his back in a scuffle), the desperate and scowling countenance, the rough, bristling hair might well have disguised him.
As he moved, a chain clanked; to his wrists were attached fetters.
“Bridewell!” exclaimed Colonel Dent, and the charade was solved.