and go about the town.”
We went first to Kongens Nytorv, an irregular square in which are two innocent-looking guns, which need not alarm anyone. Close by, at No. 5, there was a French “restaurant,” kept by a cook of the name of Vincent, where we had an ample breakfast for four marks each (2 s. 4 d. )
Then I took a childish pleasure in exploring the city; my uncle let me take him with me, but he took notice of nothing, neither the insignificant king’s palace, nor the pretty seventeenth century bridge, which spans the canal before the museum, nor that immense cenotaph of Thorvaldsen’s, adorned with horrible mural painting, and containing within it a collection of the sculptor’s works, nor in a fine park the toylike château of Rosenberg, nor the beautiful renaissance edifice of the Exchange, nor its spire composed of the twisted tails of four bronze dragons, nor the great windmill on the ramparts, whose huge arms dilated in the sea breeze like the sails of a ship.
What delicious walks we should have had together, my pretty Virlandaise and I, along the harbour where the two-deckers and the frigate slept peaceably by the red roofing of the warehouse, by the green banks of the strait, through the deep shades of the trees amongst which the fort is half concealed, where the guns are thrusting out their black throats between branches of alder and willow.
But, alas! Gräuben was far away; and I never hoped to see her again.
But if my uncle felt no attraction towards these romantic scenes he was very much struck with the aspect of a certain church spire situated in the island of Amager, which forms the southwest quarter of Copenhagen.
I was ordered to direct my feet that way; I embarked on a small steamer which plies on the canals, and in a few minutes she touched the quay of the dockyard.