Orlando went on thinking. He kept looking at the grass and at the sky and trying to bethink him what a true poet, who has his verses published in London, would say about them. Memory meanwhile (whose habits have already been described) kept steady before his eyes the face of Nicholas Greene, as if that sardonic loose-lipped man, treacherous as he had proved himself, were the Muse in person, and it was to him that Orlando must do homage. So Orlando, that summer morning, offered him a variety of phrases, some plain, others figured, and Nick Greene kept shaking his head and sneering and muttering something about Glawr and Cicero and the death of poetry in our time. At length, starting to his feet (it was now winter and very cold) Orlando swore one of the most remarkable oaths of his lifetime, for it bound him to a servitude than which none is stricter. “I’ll be blasted,” he said, “if I ever write another word, or try to write another word, to please Nick Greene or the Muse. Bad, good, or indifferent, I’ll write, from this day forward, to please myself”; and here he made as if he were tearing a whole budget of papers across and tossing them in the face of that sneering, loose-lipped man. Upon which, as a cur ducks if you stoop to shy a stone at him, Memory ducked her effigy of Nick Greene out of sight; and substituted for it⁠—nothing whatever.

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