“Life and a lover.” Then laying her pen aside she went into her bedroom, stood in front of her mirror, and arranged her pearls about her neck. Then since pearls do not show to advantage against a morning gown of sprigged cotton, she changed to a dove-grey taffeta; thence to one of peach bloom; thence to a wine-coloured brocade. Perhaps a dash of powder was needed, and if her hair were disposed⁠—so⁠—about her brow, it might become her. Then she slipped her feet into pointed slippers, and drew an emerald ring upon her finger. “Now,” she said when all was ready and lit the silver sconces on either side of the mirror. What woman would not have kindled to see what Orlando saw then burning in the snow⁠—for all about the looking-glass were snowy lawns, and she was like a fire, a burning bush, and the candle flames about her head were silver leaves; or again, the glass was green water, and she a mermaid, slung with pearls, a siren in a cave, singing so that oarsmen leant from their boats and fell down, down to embrace her; so dark, so bright, so hard, so soft, was she, so astonishingly seductive that it was a thousand pities that there was no one there to put it in plain English, and say outright, “Damn it, Madam, you are loveliness incarnate,” which was the truth.

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