Draped about a vast cross of fretted and floriated gold were widow’s weeds and bridal veils; hooked on to other excrescences were crystal palaces, bassinettes, military helmets, memorial wreaths, trousers, whiskers, wedding cakes, cannon, Christmas trees, telescopes, extinct monsters, globes, maps, elephants, and mathematical instruments⁠—the whole supported like a gigantic coat of arms on the right side by a female figure clothed in flowing white; on the left, by a portly gentleman wearing a frock-coat and sponge-bag trousers. The incongruity of the objects, the association of the fully clothed and the partly draped, the garishness of the different colours and their plaid-like juxtapositions afflicted Orlando with the most profound dismay. She had never, in all her life, seen anything at once so indecent, so hideous, and so monumental. It might, and indeed it must be, the effect of the sun on the waterlogged air; it would vanish with the first breeze that blew; but for all that, it looked, as she drove past, as if it were destined to endure forever. Nothing, she felt, sinking back into the corner of her coach, no wind, rain, sun, or thunder, could ever demolish that garish erection.