of inanimate idols. Behold a master-piece of nature, (lifting up the veil which concealed the naked charms of the beautiful Madms. Barbier): This sacred image should inflame all hearts." And it did so; the people shouted out, "No more altars, no more priests, no God but the God of Nature."
Orleans, the first prince of the blood, did not scruple to prostitute his daughter, if not to the embraces, yet to the wanton view of the public, with the precise intention of inflaming their desires. (See the account given of the dinners at Sillery's, by Camille Desmoulines, in his speech against the Brissotins.)
But what will be the end of all this? The fondlings of the wealthy will be pampered in all the indulgences which fastidious voluptuousness finds necessary for varying or enhancing its pleasures; but they will either be slighted as toys, or they will be immured; and the companions of the poor will be drudges and slaves.
I am fully persuaded that it was the enthusiastic admiration of Grecian democracy that recommended to the French nation the dress à la Grecque, which exhibits not the elegant, ornamented beauty, but the alluring female, fully as well as Madame Tallien's dress à la Sauvage. It was no doubt with the same adherence to serious principle, that Mademoiselle Therouanne was most beautifully dressed à l'Amazonne on the 5th of October 1789, when she turned the heads of so many young officers of the regiments at Versailles. The Cythera, the hominum divunque voluptas, at the cathedral of Notre Dame, was also dressed à la Grecque: There is a most evident and characteristic change in the whole system of female dress in France. The Filles de l'Opera always gave the ton, and were surely withheld by no rigid principle. They sometimes produced very extravagant and fantastic forms, but these were almost always in the style of the highest ornament, and they