CHAPTER VII — SCIENCE AND ART UNDER SOCIALISM

It is not appreciation of the artist that is necessary so much as appreciation of the art. It is difficult for an artist to live in an environment in which everything is judged by its utility, rather than by its intrinsic quality. The whole side of life of which art is the flower requires something which may be called disinterestedness, a capacity for direct enjoyment without thought of tomorrow's problems and difficulties. When people are amused by a joke they do not need to be persuaded that it will serve some important purpose. The same kind of direct pleasure is involved in any genuine appreciation of art. The struggle for life, the serious work of a trade or profession, is apt to make people too solemn for jokes and too pre-occupied for art. The easing of the struggle, the diminution in the hours of work, and the lightening of the burden of existence, which would result from a better economic system, could hardly fail to increase the joy of life and the vital energy, available for sheer delight in the world. And if this were achieved there would inevitably be more spontaneous pleasure in beautiful things, and more enjoyment of the work of artists. But none of these good results are to be expected from the mere removal of poverty: they all require also a diffused sense of freedom, and the absence of that feeling of oppression by a vast machine which now weighs down the individual spirit. I do not think State Socialism can give this sense of freedom, but some other forms of Socialism, which have absorbed what is true in Anarchist teaching, can give it to a degree of which capitalism is wholly incapable.