It is impossible to explain why Eugène chose Liza Ánnenskaya, as it is always impossible to explain why a man chooses this and not that woman. There were many reasons—positive and negative. One reason was that she was not a very rich heiress such as his mother sought for him, another that she was naive and to be pitied in her relations with her mother, another that she was not a beauty who attracted general attention to herself, and yet she was not bad-looking. But the chief reason was that his acquaintance with her began at the time when he was ripe for marriage. He fell in love because he knew that he would marry.
Liza Ánnenskaya was at first merely pleasing to Eugène, but when he decided to make her his wife his feelings for her became much stronger. He felt that he was in love.
Liza was tall, slender, and long. Everything about her was long; her face, and her nose (not prominently but downwards), and her fingers, and her feet. The colour of her face was very delicate, creamy white and delicately pink; she had long, soft, and curly, light-brown hair, and beautiful eyes, clear, mild, and confiding. Those eyes especially struck Eugène, and when he thought of Liza he always saw those clear, mild, confiding eyes.
Such was she physically; he knew nothing of her spiritually, but only saw those eyes. And those eyes seemed to tell him all he needed to know. The meaning of their expression was this:
While still in the Institute, when she was fifteen, Liza used continually to fall in love with all the attractive men she met and was animated and happy only when she was in love. After leaving the Institute she continued to fall in love in just the same way with all the young men she met, and of course fell in love with Eugène as soon as she made his