Memories and fancies followed one another with increased rapidity in my imagination.
“The counsellor, that keeps on calling out advice from the second sledge, what sort of peasant is he likely to be? Sure to be a red-haired, thickset fellow with short legs,” I thought, “somewhat like Fyodor Filippitch, our old butler.” And then I see the staircase of our great house and five house-serfs, who are stepping heavily, dragging along on strips of coarse linen a piano from the lodge. I see Fyodor Filippitch, with the sleeves of his nankin coat turned up, carrying nothing but one pedal, running on ahead, pulling open bolts, tugging at a strip of linen here, shoving there, creeping between people’s legs, getting in everyone’s way, and in a voice of anxiety shouting assiduously.
“You now, in front, in front! That’s it, the tail end upwards, upwards, upwards, through the doorway! That’s it.”
“You only let us be, Fyodor Filippitch, we’ll do it by ourselves,” timidly ventured the gardener, squeezed against the banisters, and red with exertion, as, putting out all his strength, he held up one corner of the piano.
But Fyodor Filippitch would not desist.
“And what is it?” I reflected. “Does he suppose he’s necessary to the business in hand, or is he simply pleased God has given him that conceited, convincing flow of words and enjoys the exercise of it? That’s what it must be.”
And for some reason I recall the pond, and the tired house-serfs, knee-deep in the water, dragging the draw-net, and again Fyodor Filippitch