Tíkhonovna made no reply; she only sighed and with a strong motion threw her wallet and fur coat over her shoulder.
The deacon’s wife asked whether the old lady was at home and, hearing that she was, asked him to announce them to her. Then she asked about her son, who was an official and, thanks to the prince’s influence, was serving in St. Petersburg. The janitor could not give her any information about him and directed them over a walk, which crossed the yard, to the servants’ house. The old women went into the house, which was full of people—women, children, both old and young—all of them manorial servants, and prayed turning to the front corner. The deacon’s wife was at once recognized by the laundress and the old lady’s maid, and she was at once surrounded and overwhelmed with questions: they took off her wallet, placed her at the table, and offered her something to eat. In the meantime Tíkhonovna, having made the sign of the cross to the images and saluted everybody, was standing at the door, waiting to be invited in. At the very door, in front of the first window, sat an old man, making boots.
“Sit down, granny! Don’t stand up. Sit down here, and take off your wallet,” he said.
“There is not enough room to turn around as it is. Take her to the ‘black’ room,” said a woman.
“This comes straight from Madame Chalmé,” said a young lackey, pointing to the iris design on Tíkhonovna’s peasant coat, “and the pretty stockings and shoes.”
He pointed to her leg-rags and bast shoes, which were new, as she had specially put them on for Moscow.
“Parásha, you ought to have such.”