face cheered the ladies and maidens. And the news was the more appropriate, since the old Countess Fuks and her daughter were present in the salon. When Pákhtin told nearly word for word what he had heard in the intellectual room, Madame Fuks, shaking her head and marvelling at her old age, began to recall how she used to go out together with Natásha Krínski, the present Princess Labázov.
“Her marriage is a very romantic story, and all that happened under my eyes. Natásha was almost engaged to Myátlin, who was later killed in a duel with Debras. Just then Prince Peter arrived in Moscow, fell in love with her, and proposed to her. But her father, who wanted Myátlin very much—they were, in general, afraid of Labázov because he was a Mason—refused him. The young man continued to see her at balls, everywhere, and became friendly with Myátlin, whom he begged to decline. Myátlin agreed to do so, and he persuaded her to elope. She, too, agreed, but the last repentance—” (the conversation was taking place in French), “and she went to her father and said that everything was ready for the elopement, and she could leave him, but hoped for his magnanimity. And, indeed, her father forgave her—everybody begged for her—and gave his consent. Thus the wedding was celebrated, and it was a jolly wedding! Who of us thought that a year later she would follow him to Siberia! She, an only daughter, the most beautiful, the richest woman of that time. Emperor Alexander always used to notice her at balls, and had danced with her so often. Countess G⸺ gave a bal costumé —I remember it as though it were today—and she was a Neapolitan maid, oh, so charming! Whenever he came to Moscow, he used to ask, ‘ que fait la belle Napolitaine ?’ And suddenly this woman, in such a condition (she bore a child on the way), did not stop for a moment to think, without preparing anything, without collecting her things, just as she was, when they took him, followed him a distance of five thousand versts.”
“Oh, what a remarkable woman!” said the hostess.