merriment at the dancer. The recruit seemed not to see anyone, but felt that the numbers of the admiring public had increased, and this added to his strength and agility. He danced briskly. His brows were frowning, his ruddy face was set, and his lips were fixed in a grin that had long since lost all meaning. It seemed as if all the strength of his soul was concentrated on placing one foot as quickly as possible after the other, now on the heel, now on the toe. Sometimes he stopped suddenly and winked to the player, who began playing still more briskly, strumming on all the strings, and even knocking the case with his knuckles. The recruit would stop, but even when he stood motionless he still seemed to be dancing. Then he began slowly jerking his shoulders, and suddenly twirling round leaped in the air, and descending crouched down, throwing out first one leg and then the other. The little boys laughed, the women shook their heads, the men smiled approvingly. An old sergeant stood quietly by, with a look that seemed to say: “You think it wonderful, but we have long been familiar with it.” The balalaika-player appeared tired; he looked lazily round, struck a false chord, and suddenly knocked on the case with his knuckles, and the dance came to an end.
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