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nydus/Short FictionPublic

A collection of all of the short stories and novellas written by Leo Tolstoy.

Page 762 of 2244
Table of Contents

Second Fragment

There were but few people in church. The country people were in the habit of going to communion in the first and in the fourth week. Now there were only forty men and women present, who had not had time to go to communion before, a few old peasant women, the church servants, and the manorial people of the Apýkhtins and his rich neighbours, the Chernýshevs. There was also there an old woman, a relative of the Chernýshevs, who was living with them, and a deacon’s widow, whose son the Chernýshevs, in the goodness of their hearts, had educated and made a man of, and who now was serving as an official in the Senate. Between the matins and the mass there were even fewer people left in the church. There were left two beggar women, who were sitting in the corner and conversing with each other and looking at Iván Petróvich with the evident desire to congratulate him and talk with him, and two lackeys⁠—one his own, in livery, and the other, Chernýshev’s, who had come with the old woman. These two were also whispering in an animated manner to each other, just as Iván Petróvich came out from the altar-place; when they saw him, they grew silent. There was also a woman in a tall headgear with a pearl face-ornament and in a white fur coat, with which she covered up a sick child, who was crying, and whom she was attempting to quiet; and another, a stooping old woman, also in a headgear, but with a woollen face-ornament and a white kerchief, which was tied in the fashion of old women, and in a gray gathered coat with an iris-design on the back, who, kneeling in the middle of the church, and turning to an old image between two latticed windows, over which hung a new scarf with red edges, was praying so fervently, solemnly, and impassionately that one could not fail directing one’s attention to her.

Before reaching the elder, who, standing at the little safe, was kneading over the remnants of some tapers into one piece of wax, Iván Petróvich stopped to take a look at the praying woman. The old woman was praying well. She knelt as straight as it was possible to kneel in front of the image; all the members of her body were mathematically symmetrical; her feet behind her pressed with the tips of her bast shoes at

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