“And what do you do when you are not working in your vineyard or praying?”
“I have always somewhat to do, always. For to be idle is to open the door for Iblis. I might walk up and down this corridor, counting the slabs therein, and consider my time well spent.”
Saying which he rises and points to the sky. The purple fringes of the clouds are gone to sable; the lilac tints on the mountains are waxing grey; and the sombre twilight with his torch—the evening star had risen—is following in the wake of day; ’tis the hour of prayer.
But before we leave him to his devotion, we ask to be permitted to see his cell. Ah, that is against the monastic rules. We insist. And with a h’m, h’m, and a shake of the head, he rubs his hands caressingly and opens the door.
Yes, the Reader shall peep into this eight by six cell, which is littered all around with rubbish, sacred and profane. In the corner is a broken stove with a broken pipe attached—broken to let some of the smoke into the room, we are told.
“For smoke,” quoth the Hermit, quoting the Doctor, “destroys the microbes—and keeps the room warm after the fire goes out.”
In the corner opposite the stove is a little altar with the conventional icons and gewgaws and a number of prayer books lying pell-mell around.
Nearby is an old pair of shoes, in which are stuck a few candles and St. Anthony’s Book of Contemplations.
In the corner behind the door is a large cage, a pantry, suspended middleway between the floor and ceiling, containing a few earthen pots, an oil lamp, and a jar, covered with a cloth.