district are either too rich to buy secondhand books, or too snobbish to stop before this curiosity shop of literature.
Hence the master is never too busy; he is always ready to deliver the discourse.
One day Khalid is conducted into the labyrinthine gloom and mould of the cellar. Through the narrow isles, under a low ceiling, papered, as it were, with pamphlets, between ramparts and mounds of books, old Jerry, his head bowed, his lighted taper in hand, proceeds. And Khalid follows directly behind, listening to his guide who points out the objects and places of interest. And thus, through the alleys and byways, through the nooks and labyrinths of these underground temple-ruins, we get to the rear, where the ramparts and mounds crumble to a mighty heap, rising pell-mell to the ceiling.
Here, one is likely to get a glimpse into such enchanted worlds as the name of a Dickens or a Balzac might suggest. Here, too, is Shakespeare in lamentable state; there is Carlyle in rags, still crying, as it were, against the filth and beastliness of this underworld. And look at my lord Tennyson shivering in his nakedness and doomed to keep company with the meanest of poetasters. Observe how Emerson is wriggled and ruffled in this crushing crowd. Does he not seem to be still sighing for a little solitude?
But here, too, are spots of the rarest literary interest. Close to the vilest of dime novels is an autograph copy of a book which you might not find at Brentano’s. Indeed, the rarities here stand side by side with the superfluities—the abominations with the blessings of literature—cluttered together, reduced to a common level. And all in a condition which bespeaks the time when they were held in the affection of someone. Now, they lie a-mouldering in these mounds, and on these shelves, awaiting a curious eye, a kindly hand.