We assembled again towards evening, and Perdita insisted on our having recourse to music. She wanted, she said, to give us a specimen of her new accomplishment; for since she had been in London, she had applied herself to music, and sang, without much power, but with a great deal of sweetness. We were not permitted by her to select any but lighthearted melodies; and all the Operas of Mozart were called into service, that we might choose the most exhilarating of his airs. Among the other transcendant attributes of Mozart’s music, it possesses more than any other that of appearing to come from the heart; you enter into the passions expressed by him, and are transported with grief, joy, anger, or confusion, as he, our soul’s master, chooses to inspire. For some time, the spirit of hilarity was kept up; but, at length, Perdita receded from the piano, for Raymond had joined in the trio of “ Taci ingiusto core ,” in Don Giovanni