Raymond rose, his voice was broken, his features convulsed, his manner calm as the earthquake-cradling atmosphere, he replied: “I am rejoiced that you take my decision so philosophically. Doubtless you will play the part of the injured wife to admiration. Sometimes you may be stung with the feeling that you have wronged me, but the condolence of your relatives, the pity of the world, the complacency which the consciousness of your own immaculate innocence will bestow, will be excellent balm;⁠—me you will never see more!”

Raymond moved towards the door. He forgot that each word he spoke was false. He personated his assumption of innocence even to self-deception. Have not actors wept, as they portrayed imagined passion? A more intense feeling of the reality of fiction possessed Raymond. He spoke with pride; he felt injured. Perdita looked up; she saw his angry glance; his hand was on the lock of the door. She started up, she threw herself on his neck, she gasped and sobbed; he took her hand, and leading her to the sofa, sat down near her. Her head fell on his shoulder, she trembled, alternate changes of fire and ice ran through her limbs: observing her emotion he spoke with softened accents: