for self-possession and their rightful eagerness to gain positions they feel they have been too long excluded from, have perhaps yet failed to realize that the women of the eighteenth century, who exerted a sway over life that the women of no age before or since have possessed, were, above all women, great and heroic lovers, and that those two fundamental facts cannot be cut asunder. But this failure, temporary as it is doubtless destined to be, will work for good if it is the point of departure for a revival among men of the art of love.
Men indeed have here fallen behind women. The old saying, so tediously often quoted, concerning love as a "thing apart" in the lives of men would scarcely have occurred to a medieval poet of Provence or Florence. It is not enough for women to proclaim a new avatar
of love if men are not ready and eager to learn its art and to practise its discipline. In a profoundly suggestive fragment on love, left incomplete at his death by the distinguished sociologist Tarde, 21 he suggests that when masculine energy dies down in the fields of political ambition and commercial gain, as it already has in the field of warfare, the energy liberated by greater social organization and cohesion may find scope once more in love. For too long a period love, like war and politics and commerce, has been chiefly monopolized by the predatory type of man, in this field symbolized by the figure of Don Juan. In the future, Tarde suggests, the Don Juan type of lover may fall into disrepute, giving place to the Virgilian type, for whom love is not a thing apart but a form of life embodying its best and highest activities.
When we come upon utterances of this kind we are tempted to think that they represent merely the poetic dreams of individuals, standing too far ahead of their fellows to possess any significance for men and women in general.