So long as discontent and unrest make themselves but dumbly felt within a limited social class, the powers of reaction may often succeed in suppressing such manifestations. But when the dumb unrest grows into conscious expression and becomes almost universal, it necessarily affects all phases of human thought and action, and seeks its individual and social expression in the gradual transvaluation of existing values.
An adequate appreciation of the tremendous spread of the modern, conscious social unrest cannot be gained from merely propagandistic literature. Rather must we become conversant with the larger phases of human expression manifest in art, literature, and, above all, the modern drama—the strongest and most far-reaching interpreter of our deep-felt dissatisfaction.
What a tremendous factor for the awakening of conscious discontent are the simple canvasses of a Millet! The figures of his peasants—what terrific indictment against our social wrongs; wrongs that condemn the Man With the Hoe to hopeless drudgery, himself excluded from Nature's bounty.
The vision of a Meunier conceives the growing solidarity and defiance of labor in the group of miners carrying their maimed brother to safety. His genius thus powerfully portrays the interrelation of the seething unrest among those slaving in the bowels of the earth, and the spiritual revolt that seeks artistic expression.