eloquence and fire of Camille Desmoulins was like the trumpet before Jericho, razing to the ground that emblem of torture, of abuse, of horror, the Bastille.
Always, at every period, the few were the banner bearers of a great idea, of liberating effort. Not so the mass, the leaden weight of which does not let it move. The truth of this is borne out in Russia with greater force than elsewhere. Thousands of lives have already been consumed by that bloody regime, yet the monster on the throne is not appeased. How is such a thing possible when ideas, culture, literature, when the deepest and finest emotions groan under the iron yoke? The majority, that compact, immobile, drowsy mass, the Russian peasant, after a century of struggle, of sacrifice, of untold misery, still believes that the rope which strangles "the man with the white hands"1 brings luck.
In the American struggle for liberty, the majority was no less of a stumbling block. Until this very day the ideas of Jefferson, of Patrick Henry, of Thomas Paine, are denied and sold by their posterity. The mass wants none of them. The greatness and courage worshipped in Lincoln have been forgotten in the men who created the background for the panorama of that time. The true patron saints of the black men were represented in that handful of fighters in Boston, Lloyd Garrison, Wendell Phillips, Thoreau, Margaret Fuller, and Theodore Parker, whose great courage and sturdiness culminated in that somber giant, John Brown. Their untiring zeal, their eloquence and perseverance undermined the stronghold of the Southern lords. Lincoln and his minions followed only when abolition had become a practical issue, recognized as such by all.
About fifty years ago, a meteor-like idea made its appearance on the social horizon of the world, an idea so far-reaching, so revolutionary, so all-embracing as to spread terror in the hearts of tyrants everywhere. On the other hand, that idea was a harbinger of joy, of cheer, of hope to the