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nydus/Anarchism and Other EssaysPublic
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Table of Contents

MINORITIES VERSUS MAJORITIES

the quantity of dollars his purchase implies. Thus the financier in Mirbeau's LES AFFAIRES SONT LES AFFAIRES points to some blurred arrangement in colors, saying "See how great it is; it cost 50,000 francs." Just like our own parvenues. The fabulous figures paid for their great art discoveries must make up for the poverty of their taste.

The most unpardonable sin in society is independence of thought. That this should be so terribly apparent in a country whose symbol is democracy, is very significant of the tremendous power of the majority.

Wendell Phillips said fifty years ago: "In our country of absolute democratic equality, public opinion is not only omnipotent, it is omnipresent. There is no refuge from its tyranny, there is no hiding from its reach, and the result is that if you take the old Greek lantern and go about to seek among a hundred, you will not find a single American who has not, or who does not fancy at least he has, something to gain or lose in his ambition, his social life, or business, from the good opinion and the votes of those around him. And the consequence is that instead of being a mass of individuals, each one fearlessly blurting out his own conviction, as a nation compared to other nations we are a mass of cowards. More than any other people we are afraid of each other." Evidently we have not advanced very far from the condition that confronted Wendell Phillips.

Today, as then, public opinion is the omnipresent tyrant; today, as then, the majority represents a mass of cowards, willing to accept him who mirrors its own soul and mind poverty. That accounts for the unprecedented rise of a man like Roosevelt. He embodies the very worst element of mob psychology. A politician, he knows that the majority cares little for ideals or integrity. What it craves is display. It matters not whether that be a dog show, a prize fight, the lynching of a "nigger," the rounding up of some petty offender, the marriage exposition of an heiress, or the acrobatic stunts of an ex-president. The more hideous the

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