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nydus/Goethe's Theory of ColoursPublic

This volume presents an English translation of Johann Wolfgang von Goethe’s treatise on the nature and perception of color. The work includes a collection of systematic observations and experiments alongside the author’s theoretical challenges to Newtonian optics.

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Table of Contents

GOETHE'S

crossing sun-light which enters, be received on a surface of white paper, and we shall find that the smaller the opening is, the dimmer the light image will be. This is quite obvious, because the paper does not receive light from the whole sun, but partially from single points of its disk.

405.

If we look attentively at this dim image of the sun, we find it still dimmer towards the outlines where a yellow border is perceptible. The colour is still more apparent if a vapour or a transparent cloud passes before the sun, thus subduing and dimming its brightness. The halo on the wall, the effect of the decreasing brightness of a light placed near it, is here forced on our recollection. (88.)

406.

If we examine the image more accurately, we perceive that this yellow border is not the only appearance of colour; we can see, besides, a bluish circle, if not even a halo-like repetition of the coloured border. If the room is quite dark, we discern that the sky next the sun also has its effect: we see the blue sky, nay, even the whole landscape, on the paper, and are thus again convinced that as far as regards the sun, we have here only to do with a luminous image.

407.

If we take a somewhat larger square opening, so large that the image of the sun shining through it does not immediately become round, we may distinctly observe the half-shadows of every edge or side, the junction of these in the

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