CodalSearch this book — or all of Codal…⌘K
nydus/Goethe's Theory of ColoursPublic

This volume presents an English translation of Johann Wolfgang von Goethe’s treatise on the nature and perception of color. The work includes a collection of systematic observations and experiments alongside the author’s theoretical challenges to Newtonian optics.

Page 74 of 553
Table of Contents

GOETHE'S

all objects in a red light. Every decided colour does a certain violence to the eye, and forces the organ to opposition.

56.

We have hitherto seen the opposite colours producing each other successively on the retina: it now remains to show by experiment that the same effects can exist simultaneously. If a coloured object impinges on one part of the retina, the remaining portion at the same moment has a tendency to produce the compensatory colour. To pursue a former experiment, if we look on a yellow piece of paper placed on a white surface, the remaining part of the organ has already a tendency to produce a purple hue on the colourless surface: in this case the small portion of yellow is not powerful enough to produce this appearance distinctly, but, if a white paper is placed on a yellow wall, we shall see the white tinged with a purple hue.

57.

Although this experiment may be made with any colours, yet red and green are particularly recommended for it, because these colours seem powerfully to evoke each other. Numerous instances occur in daily experience. If a green paper is seen through striped or flowered muslin, the stripes or flowers will appear reddish. A grey building seen through green pallisades appears in like manner reddish. A modification of this tint in the agitated sea is also a compensatory colour: the light side of the waves appears green in its own colour, and the shadowed side is tinged with the opposite hue. The different direction of

74