sounds. No language can make this comprehensible, of course, and I can only say, for instance, that the striking of the clock I saw as a visible picture in the air before me. I saw the sounds of the tinkling bell. And in precisely the same way I heard the colours in the room, especially the colours of those books in the shelf behind you. Those red bindings I heard in deep sounds, and the yellow covers of the French bindings next to them made a shrill, piercing note not unlike the chattering of starlings. That brown bookcase muttered, and those green curtains opposite kept up a constant sort of rippling sound like the lower notes of a wood-horn. But I only was conscious of these sounds when I looked steadily at the different objects, and thought about them. The room, you understand, was not full of a chorus of notes; but when I concentrated my mind upon a colour, I heard, as well as saw, it.”