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As Clarissa Dalloway walks through London on a glorious June day, her movements bring together a cast of friends and strangers, each in turn weighing matters of mind and heart.

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Mrs Dalloway

sun became extraordinarily hot because the motorcar had stopped outside Mulberry’s shop window; old ladies on the tops of omnibuses spread their black parasols; here a green, here a red parasol opened with a little pop. Mrs. Dalloway, coming to the window with her arms full of sweet peas, looked out with her little pink face pursed in enquiry. Everyone looked at the motorcar. Septimus looked. Boys on bicycles sprang off. Traffic accumulated. And there the motorcar stood, with drawn blinds, and upon them a curious pattern like a tree, Septimus thought, and this gradual drawing together of everything to one centre before his eyes, as if some horror had come almost to the surface and was about to burst into flames, terrified him. The world wavered and quivered and threatened to burst into flames. It is I who am blocking the way, he thought. Was he not being looked at and pointed at; was he not weighted there, rooted to the pavement, for a purpose? But for what purpose?

“Let us go on, Septimus,” said his wife, a little woman, with large eyes in a sallow pointed face; an Italian girl.

But Lucrezia herself could

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