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As Clarissa Dalloway walks through London on a glorious June day, her movements bring together a cast of friends and strangers, each in turn weighing matters of mind and heart.

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Mrs Dalloway

nothing about sex⁠—nothing about social problems. She had once seen an old man who had dropped dead in a field⁠—she had seen cows just after their calves were born. But Aunt Helena never liked discussion of anything (when Sally gave her William Morris, it had to be wrapped in brown paper). There they sat, hour after hour, talking in her bedroom at the top of the house, talking about life, how they were to reform the world. They meant to found a society to abolish private property, and actually had a letter written, though not sent out. The ideas were Sally’s, of course⁠—but very soon she was just as excited⁠—read Plato in bed before breakfast; read Morris; read Shelley by the hour.

Sally’s power was amazing, her gift, her personality. There was her way with flowers, for instance. At Bourton they always had stiff little vases all the way down the table. Sally went out, picked hollyhocks, dahlias⁠—all sorts of flowers that had never been seen together⁠—cut their heads off, and made them swim on the top of water in bowls. The effect was extraordinary⁠—coming in to dinner in the sunset. (Of course Aunt Helena thought it wicked to treat flowers like that.) Then she forgot her sponge, and ran along the passage naked. That grim old housemaid, Ellen Atkins, went about grumbling⁠—“Suppose any of the gentlemen had seen?” Indeed she did shock people. She was untidy, Papa said.

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