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As Clarissa Dalloway walks through London on a glorious June day, her movements bring together a cast of friends and strangers, each in turn weighing matters of mind and heart.

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Mrs Dalloway

in the uproar; military music; as if people were marching; yet had they been dying⁠—had some woman breathed her last and whoever was watching, opening the window of the room where she had just brought off that act of supreme dignity, looked down on Fleet Street, that uproar, that military music would have come triumphing up to him, consolatory, indifferent.

It was not conscious. There was no recognition in it of one’s fortune, or fate, and for that very reason even to those dazed with watching for the last shivers of consciousness on the faces of the dying, consoling.

Forgetfulness in people might wound, their ingratitude corrode, but this voice, pouring endlessly, year in, year out, would take whatever it might be; this vow; this van; this life; this procession, would wrap them all about and carry them on, as in the rough stream of a glacier the ice holds a splinter of bone, a blue petal, some oak trees, and rolls them on.

But it was later than she thought. Her mother would not like her to be wandering off alone like this. She turned back down the Strand.

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