He was alone with the sideboard and the bananas. He was alone, exposed on this bleak eminence, stretched out—but not on a hilltop; not on a crag; on Mrs. Filmer’s sitting-room sofa. As for the visions, the faces, the voices of the dead, where were they? There was a screen in front of him, with black bulrushes and blue swallows. Where he had once seen mountains, where he had seen faces, where he had seen beauty, there was a screen.
“Evans!” he cried. There was no answer. A mouse had squeaked, or a curtain rustled. Those were the voices of the dead. The screen, the coal-scuttle, the sideboard remained to him. Let him then face the screen, the coal-scuttle and the sideboard … but Rezia burst into the room chattering.
Some letter had come. Everybody’s plans were changed. Mrs. Filmer would not be able to go to Brighton after all. There was no time to let Mrs. Williams know, and really Rezia thought it very, very annoying, when she caught sight of the hat and thought … perhaps … she … might just make a little. … Her voice died out in contented melody.
“Ah, damn!” she cried (it was a joke of theirs, her swearing); the needle had broken. Hat, child, Brighton, needle. She built it up; first one thing, then another, she built it up, sewing.
She wanted him to say whether by moving the rose she had improved the hat. She sat on the end of the sofa.
They were perfectly happy now, she said, suddenly, putting the hat down. For she could say anything to him now. She could say whatever came into her head. That was almost the first thing she had felt about him, that night in the café when he had come in with his English friends. He had come in, rather shyly, looking round him, and his hat had fallen when he hung it up. That she could remember. She knew he was English, though not one of the large Englishmen her sister admired, for he was