“They won’t tell us their stories,” said Clarissa.
“Dear Clarissa!” exclaimed Mrs. Hilbery. She looked tonight, she said, so like her mother as she first saw her walking in a garden in a grey hat.
And really Clarissa’s eyes filled with tears. Her mother, walking in a garden! But alas, she must go.
For there was Professor Brierly, who lectured on Milton, talking to little Jim Hutton (who was unable even for a party like this to compass both tie and waistcoat or make his hair lie flat), and even at this distance they were quarrelling, she could see. For Professor Brierly was a very queer fish. With all those degrees, honours, lectureships between him and the scribblers, he suspected instantly an atmosphere not favourable to his queer compound; his prodigious learning and timidity; his wintry charm without cordiality; his innocence blent with snobbery; he quivered if made conscious by a lady’s unkempt hair, a youth’s boots, of an underworld, very creditable doubtless, of rebels, of ardent young people; of would-be geniuses, and intimated with a little toss of the head, with a sniff—Humph!—the value of moderation; of some slight training in the classics in order to appreciate Milton. Professor Brierly (Clarissa could see) wasn’t hitting it off with little Jim Hutton (who wore red socks, his black being at the laundry) about Milton. She interrupted.
She said she loved Bach. So did Hutton. That was the bond between them, and Hutton (a very bad poet) always felt that Mrs. Dalloway was far the best of the great ladies who took an interest in art. It was odd how strict she was. About music she was purely impersonal. She was rather a prig. But how charming to look at! She made her house so nice if it weren’t for her Professors. Clarissa had half a mind to snatch him off and set him down at the piano in the back room. For he played divinely.